#hits different disabled for real

[mythicalcoolkid]

[ID: a Tweet from Ben Passmore (@DAYGLOAYHOLE) that reads: the fact i gotta train 3-5 days a week to keep my body at "moderately broken" while my cat sleep all day and can do parkour with ease is a crime. End ID]

[boywithbear]

back with another opinion that I guarantee has been said before but I think autistic people who don't have an intellectual disability really need to speak to people who do

[mantisgodsdomain]

The greatest curse of Us, without a doubt, is the... us-centrism of the fact that we are Us and no one else. Our view on the world is limited and we are frequently subject to the logical fallacy of The Curse Of Knowledge and we're even more frequently beset upon by the fact that some people, like, are Genuinely Averse to depictions of things they've Dealt With themselves.

Like, what do you mean you're talking about this thing as a reason that this media sucks? What do you mean you actively avoid media that depicts things you went through? Do you not gain that feeling of connection from watching people go through something similar to what you did? Do you lack the feelings that are so easy to conjure up in a strong way from seeing a character dealing with the Same Damn Shit? Do you not look at art to feel things?

[yanderenightmare]

Bakugou Katsuki

♡ TW: implied and/or present elements of dubcon/noncon, yandere, kidnapping, captive reader, quirkless reader, mentioned death of important character, discrimination, drawn comparisons between quirklessness and disabilities, implied bakudeku, drugging, needles, mentions of hypochondriasis, also angst

♡ manga spoilers in a way, but also not really. anyway, read at your own discretion.

♡ gn reader

Sharp crimson eyes assess the fresh scrapes and swelling ruining your soft skin. A deep scowl on his face.

“Tch—look at all this…” he grumbles disapprovingly to no one but himself—too upset with you to acknowledge you, yet treating you no different than if you were glass. “These are gonna last weeks.”

You’d tried running away again—tripped and slipped up all on your own, stumbling through hallways and tumbling down stairs in your panic, only to stop short at the locked door—bolted and padlocked beyond all sane reason.

He was disappointed with you, sure. But that’s not the reason for his current anger.

“Sit there while I get bandages,” he orders, getting up from his crouch, pointing a strict finger at you in threat. “Dare move, and it’ll be bed rest for a whole ‘nother week.”

Bakugou’s obsession with your quirkless nature started a couple of months ago…

It was okay at first—he was hardly the first person you’d met who addressed you with patronizing resolve—but he got weird about it quickly.

You worked at another hero agency he was going to be collaborating with for a big upcoming mission. You weren’t a sidekick or anything grand like that, but a simple pencil-pusher—because they need those too, you know? And you liked your job. You got to work along with some of the greatest heroes in the world, see them up close, and help them out with those things they didn’t have time for—paperwork like budget justifications and incidence reports. Yeah, you might have been somewhat of a pushover, but hey, the salary was good, the environment was lively, and even though you don’t have one yourself, you got to see some really amazing quirks in action. It was, out of what you could hope for, your dream job.

The place was in a real buzz when they heard the number one hero would be joining them for a couple of months. You were excited, too—it wasn’t often your smaller agency would undertake big missions—especially not ones that required such big hero names.

DynaMight wasn’t one to share much of anyone’s enthusiasm. He was strict and down to business and otherwise had a major pet peeve for unnecessary rabble loitering around. He’d stopped mid-meeting at the sight of you, seeing as you were obviously no fieldworker, and had gone as far as to demand you tell him your value as if your presence had been some big distracting nuisance.

Luckily, your Pro-Hero coworkers had stepped in on your behalf and told him you were a transcriber keeping track for later reference. It was probably only a slip-up that they’d added the fact that you were quirkless.

You don’t hold it against them, or well… you did a little, but you couldn’t really blame them either. Evoking the explosion hero’s rage must have made them flustered and desperate to play any sympathy card available to them in the spur of the moment.

Of course, it wasn’t their card to play, nor would you ever have played it yourself, but if the humility was worth anything, it successfully managed to calm the top hero down. Actually, he didn’t say anything for the rest of the meeting. And if you hadn’t been so busy taking notes, you would have noticed his lingering stare.

A couple more incidents had occurred in the office after that. Among others, he’d caught an incoming paper airplane your coworker had thrown your way—stepped right in out of nowhere and cremated it with a controlled explosion before it could hit you.

You’d been speechless for a moment—the entire desk area along with you—confused by his strangeness and, at least in your case, even somewhat appalled by his utter lack of consideration—in your office space, no less. Seriously, top hero or not, you can’t just barge in and incinerate stuff?

“That was an important document,” you'd informed—brow quirked—no regard to how offending him could probably make grounds to have you fired. You'd only slightly regretted it after having said it. But geez, you thought—shouldn’t the top hero have some semblance worth of self-control?

“You shouldn’t be playing around,” he'd stated—tone just as sour as the stink of burned paper tainting the air. “Someone might get hurt.”

You’d almost scoffed at him but had held your tongue until he walked away.

Back then, you’d thought it was an offhand insult directed at you and your respected coworker—that the explosion hero had just called you both unprofessional to your faces, like the biggest scumbag to ever walk in through your humble doors. But looking back at it now, you realize he probably might have meant it in its most sincere regard.

His over-protectiveness knows no limit, you’ve learned—calling it patronizing would be a joke in comparison. He treats you as if anything in proximity might make you shatter by association—like a bubble made from the most thinned-out solution of water and soap.

You’d woken up in your well-prepared pillow room shortly after your agency’s collaboration with DynaMight had ended. It didn’t take long for you to piece together his sickness after that.

At first, you’d thought it was a more severe case of benevolent discrimination. After all, most people treat you with some amount of pity after being privy to your being quirkless—treating it no less than a disability of sorts.

But Bakugou’s view of you was increasingly more unsettling than that—suffering from some type of delusion that has him fully convinced you’re utterly inept without him.

In some odd ways, it would have been better if he was just faking—if he was doing it all, treating you as an inferior for some sick sense of deriving his own sadistic pleasure. But no, you think he actually fully and whole-heartedly believes you’re a danger to yourself and that anything, if not monitored in the perfect conditions of the controlled environment he’s established for you, will result in your fatal illness or harm.

He’s a full-sworn hypochondriac concerning you—even as he himself dregs home some of the worst injuries you’ve ever seen as if it were nothing but a splinter in the rough of his worn soles. Meanwhile, he’s scared that if you leave the bed without socks on, it will give you pneumonia.

You were sure you had a couple of control freaks at the agency, but nothing measures up to Bakugou’s mania. How he dresses you is one thing—how he feeds you is another. An assortment of pills first, all vitamins and supplements, a spoon of cod liver oil, then a balanced meal reminding you of those tragic trays you’re served at the hospital—four times a day without fail—breakfast, lunch, dinner, then supper—he also keeps track of all the water he’s decided you need to drink—all things perfectly regulated according to your size and age.

Then there’s the sleep schedule with a set number of eight hours—no more and no less. Exercise is also necessary—workout plans designed and dictated by him. Nothing too severe, though—he’s afraid your quirkless constitution won’t be able to handle anything beyond thirty minutes max.

And then, of course, there’s hygiene.

You sobbed and fought hysterically the first time he’d washed you—in the tub with him after he’d stripped you naked. In fact, you’d made such a fuss he’d had to fetch a sedative.

Even in your drowsed state of complete numb delirium, you’d still heard how he’d fretted over it—the tiny needle hole he’d torn in your arm—as if that was the real violation, even as he’d thoroughly molested the entirety of your body with different cloths and sponges for no shorter than a full hour.

You’d been terrified, of course—horrified by his meticulous routines and odd nature. Yet strangely, despite his rigid rules, he won't ever get violent to enforce them.

You had expected it of him—being known for his brutality—the hero without mercy—the symbol of retribution. You know he's no stranger to leaving the battlefield bloody. But with you, he won't so much as harm a single strand of hair from your head.

He will instead bargain with you, sometimes for hours. Eat what he tells you, and you’ll watch a movie afterward. Go to sleep, and he'll escort you out to see the sun for a few hours in the morning. Let him ensure you wash correctly, and he’ll allow you to dry and dress yourself.  

And in those moments when you leave him no other option, he subdues you through the help of a needle again and never ever by manhandling you—it was as if that weren’t even a viable option. It was obvious he regarded the sedative as the uttermost last resort, always muttering on about chemicals and whatnot under his breath. It seemed he would rather avoid it at all costs—but also, that if it stood between allowing the disturbance of the schedule he felt was needed to keep you healthy and forcibly putting you to sleep, he knew without a doubt which option he considered the lesser evil.

He was certain of it all. And at some point or another… you had even begun sharing his fear of attracting some sort of illness yourself—even something so small as a common cold. But no, it wasn’t the same. Yours was not a fear of the actual disease itself but of what he might do if he caught you sneezing and coughing. You could only imagine the upgraded pill table he’d have in store for you then and what other measures he’d instill due to his excessive ideas of necessity.

And that’s why you’d tried running again even after what must have been a couple of months since the last time. The thought of his inane insanity having affected you so badly you’d started playing along was all too much a painful realization—you’d felt compelled to reject it—run away even when you knew you’d never be able to make the door open if you could even reach it.

You knew it would be in vain, and even though running headfirst into something you know isn’t going to work might be the first signs of madness—you’re still relieved to have found some remaining worth of fight still in you, even if it couldn’t amount to anything.

He comes back as quickly as he’d left, still muttering to himself, cross about the damage you’ve sustained—like you’re one of the collector’s items he keeps up on the mantle in his office—green costume and a big bright smile. You remember the exposés—they’d been rather gruesome, about the hero who’d died in battle not so long ago—a couple of years back now, give or take. He had the number-one spot before DynaMight.

The current top hero retakes his spot at your feet, sighing deeply once he starts dabbing your minor bruises with disinfectant, followed by unnecessary bandages. You’re silent as you watch him work—all so diligently as he does everything, cutting no corners and running zero lights.

His efforts, done with the very epitome of care, all disgust you.

Your lip curls. “I’m not what you think I am…”

His keen glare stops obsessing over your wounds to look up at your face—he’d already tended to the ones he could see, but he’s sure more would blossom and swell in a couple of hours. It’s beyond worrisome—but it’s his fault in any case. He should move you to a place without stairs—it’s way too dangerous for someone as accident-prone as you.

You make eye contact, and his anger fades at the sight of tears welling in your corners—softening as if he’s convinced even a harsh look will have you shatter in his hands.

“I’m quirkless. But ’m not weak.” You’re sure you preached much of the same back at the beginning of your stay, though then you’d hurdled it at him—screamed it from the top of your lungs until you’d lost your voice, unknowing that it’s a statement he’s heard a hundred times over spoken by different lips from yours.

It’s a funny thing almost… how your eyes remind him of his—so soft and yet brimming with determination—a determination that will only get you killed.

He’d put faith in those words before, believed them beyond himself, and it had cost him everything.

But even so, he can’t fault you for believing in them yourself… they’re what makes him love you, after all.

He smiles gently—a most gut-churning sight from the all-scowling man.

“I’m sure you think so.”

He doesn’t relay it with any type of harshness but pity—gross concern and better judgment—overwhelming oodles of it in his garnet eyes, weighing them down with something so awful as compassion and… you don’t exactly know… but it looks like grief.

♡ part two ♡ more thoughts on this ♡ BAKUGOU KATSUKI masterlist ♡ BOKU NO HERO ACADEMIA masterlist

[cripplecharacters]

Navigation: Helpful Posts - specific disabilities

[large text: Navigation: Helpful Posts - specific disabilities]

This is the long-awaited sequel to the first post that unfortunately hit the link limit. This part will focus on posts for specific disabilities, while the general topics will stay in the original post. If you can't find any posts on the disability you're looking for, please check out the "Other" section in the first post.

This list will of course continue to be updated.

Last update: 23/10/2024

Amputation/Limb Difference

[large text: Amputation/Limb Difference]

- Constructing Characters with Limb Differences: Discussing Fetishization - Do Amputees Always Wear Prosthetics? - Does a Character with Amputation Need a Prosthetic? - Does a Character with Upper Limb Amputation Need a Prosthetic? - Designing a Prosthetic Arm - Making a Character with Upper Limb Amputation - Genius Amputee Mechanic: Discussing the DIY Prosthetic Trope - Causes of Amputation - Limb Differences as a Spectrum - The "Perfect Prosthetic" - Can you walk on Stumps? (Sometimes)

Blind Characters

[large text: Blind Characters]

- Making a Blind Character: what to add, what to avoid - Designing a Blind Character: Discussing the Eye Covering Trope - What to Give Your Blind Character - Blindness Tropes: Daredevil, milky eyes, and blindness-negating magic - The Blind Prophet Trope - Guide Animals: Dogs, Horses, and Their Fictional Equivalents - Blind Characters with Superpowers - Echolocation and Sound Powers - Yeah Another One about Superpowers - Portraying Photophobia in Pre-modern Times - Characters with Albinism - Fetishization of Albinism - Going Blind from an Accident - Writing Characters with One Eye - More on Monocular Vision - Writing a Blind Kitty (+possible accommodations) - Different types of White Canes

Deaf and Hard of Hearing (HoH) Characters

[large text: Deaf and Hard of Hearing (HoH) Characters]

- Creating Deaf/HoH Characters - Writing D/deaf/HoH Characters - Another Guide on Writing D/deaf Characters - Tips on Writing Deaf Characters - Visual Indicators of a Person being Deaf - Tips on Writing about Hearing Aids - Deaf Character Unable to Sign - Sign Language with Limb Difference - Writing Out Sign Language (+book recommendations) - Cultural Deafness Primer

DeafBlind Characters

[large text: DeafBlind Characters]

- How DeafBlind People Learn Language - DeafBlind Character not Wanting to be Blind - On Access and Protactile [not writing advice, just a piece of great writing; greatly recommended if you know nothing about DeafBlindness]

Facial Difference (FD)

[large text: Facial Difference (FD)]

- Introduction to Facial Difference: basics, tropes, what I want to see - Constructing a Character with an FD: Discussing Disfiguremisia and the "Mask Trope" - Does My Character Need a Prosthetic Eye?: alternatives - What Would Happen to A Character with a Scar Through the Eye? - What Would Happen to a Character with a Burn on the Eye? - How Scars Affect the Character, and How the Character Affects the Scar (in the technical sense) - Should your Character with Scars Hate their Scars? - Including Characters with Treacher Collins Syndrome in a pre-Surgical Setting - Basic Information on Vitiligo - Harmful Vitiligo Tropes/Stereotypes -Animalistic Characters with Vitiligo - Animalistic Characters with Facial Differences in general - Stigmatization of Strabismus in Visual Media - How to be Normal about the Real Life Equivalents of your OC with a Scar Over His Eye - Tips for portraying a Character with Strabismus

Intellectual Disability

[large text: Intellectual Disability]

- Introduction to Writing Intellectually Disabled Characters: basics, tropes, how it actually works - Down Syndrome and Historical Fiction - Combat and Disability: intellectually disabled characters - Basic Tips for Writing Characters with Down Syndrome - Intellectually Disabled Characters in Horror

[prince-geo]

literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.

Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well

I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!

When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.

Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.

It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"

Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me

[bubblegumgothglados]

This is my RACK focused judgment free primer for heavy impact play. It covers every part of the body from head to toe and at no point does it say you can’t do something just the risks of doing so. I don't normally put warnings on my posts but most of my writing is fantasy, this isn't. I'm going to talk about any number of painful deaths and heaps more ways of becoming disabled.

In this primer "you" means the one doing the hitting, "victim" is the one being hit, and "tool" is the thing you're hitting with which could be a fist, foot, hammer, bat, anything. I'm writing it this way because its fun for me.

This primer also assumes you know the different types of impacts and how they affect the body, if you don't go look at my other writings.

Finally i take no responsibility for anything you do. All this information is what i could put together from medical journals and car crash reports if I've got anything wrong (and you can prove it) please let me know.

Enjoy

Head. With hits to the head, the two major concerns are concussions and neck injuries. A concussion occurs when a person’s brain impacts with the inside of their skull, this happens because the brain is suspended in fluid so if the skull stops or starts moving suddenly the brain will move out of sync with the skull. Symptoms of concussions can include headaches, confusion, lack of coordination, memory loss, nausea, vomiting, dizziness, ringing in the ears, sleepiness, and excessive fatigue. If your victim lost consciousness for any length of time and is having trouble speaking or understanding your words, you need to get them to the ER. There is no cure for a concussion but the best treatment is pain medication and activities that won’t tax the brain to give it time to recover. There are any number of ways to damage a neck, but generally it happens when a person’s neck is moved suddenly and violently or pushed past its limit. Minor injuries should heal by themselves within a few weeks but if unlucky pain and stiffness can last months or even years. For more major injuries, physical therapy or a neck brace might be necessary but only if the pain lasts longer than a few weeks. It’s also possible to hit someone hard enough to break their neck or fracture their skull but that takes a lot of force. All of these injuries can be avoided by supporting your victim’s head and neck by bracing their head against a surface or holding their head with your hand.

Jaw. It takes surprisingly little force to dislocate a jaw, you can do so with a good slap Dislocations are talked about in Note 3 at the bottom of this primer. Heavy bleeding from gums or a tooth that feels loose could indicate a fractured root. This is a fairly minor issue and if you see a dentist quickly they should be able to fix it back in place with no lasting damage. A tooth that has been knocked out completely should survive; get your victim to rinse their mouth out and rinse the tooth off and shove it back into the gap, and then have them see a dentist to make sure it’s properly seated and avoid chewing with it for a while.

Eyes. A fun combination of fragile and complicated. There's no first aid tips I can give you and it'll be real obvious if something is wrong. I will say you don't have to hit someones eye to give them a black eye, it’s bruising around the eye socket that matters. Also check Note 1 about the use of ice when treating injuries.

Nose. It’s more difficult than you think to break a nose. You definitely can with a good punch but you'll have to really commit. A broken nose isn't that serious (I've broken mine twice now) and isn't even ER worthy. If your victim is leaning backwards after breaking their nose the blood will run down the back of their throat potentially making them vomit or very sick. There is a chance a broken nose will heal in a way that restricts breathing in which case your victim may need surgery.

Cheek bone. Below the temple but above the gum line, running from just bellow their ear to their nose. Special mention to this spot because it’s the best place to hit your victim in the head (in my opinion). This piece of bone is very sturdy and not that risky to fracture. Plus, when you hit them here they have to watch it coming.

Neck. The windpipe, jugular, cranial nerves, vagus nerve, carotid arteries, and spine all live here and damage to any of these can cause permanent disability or death. Seek medical attention if your victim has trouble breathing or swallowing, or a lot of pain or swelling. Stingy tools are far less risky here than thuddy tools.

Shoulders. Note 2 on joints. The shoulder blades can either be an ideal impact location or one of the most risky depending on how it’s sitting. If the shoulder blade is jutting out away from the rest of the back, it’s very easy to damage If it’s laying flat against the back, it’s protected by a thick layer of fat and muscle.

Biceps. Top 4 impact location. The main concern is damaging the elbow and shoulder joints, if hitting in a way that will pull on those joints. Much like with the head, bracing the impact area against a surface will minimize the risk. Repeated hits to this area can temporarily disable the arm, which is fun.

Forearm. As above, the main risk is damaging the adjoining joints. There are also several important blood vessels and nerves running through this area and not a lot of fat an muscle to protect them.

Hands. Very little fat or muscle, mostly tendons, nerves, and cartilage. See Note 2 on joints. Special note to the palm, which hurts like hell but is relatively safe because of the extra muscle and fat in that area, great for punishment. Once again, stingy tools are much less risky than thuddy tools.

Breasts/ biceps. Top 4 impact locations. Thick layers of fat, muscle, and bone protect anything vital.

Sternum. That is the bone running down the center of a person’s chest that connects to their ribs. Not in itself very fragile but the cartilage that connects it to the ribs is easily damaged and will take a long time to heal. A fractured sternum will likely cause shortness of breath and pain when taking deep breaths. There's not much to be done about these injuries just rest and avoiding strenuous activity.

Spine. The single most risky impact location. Any damage to the spine risks permanent paralysis of everything below that point. As ever, stingy tools present less risk than thuddy tools.

Rib cage. Designed to protect a person’s most vital organs, the rib cage is very strong. Fractured ribs will cause pain breathing but aren't particularly serious. Snapped ribs can pierce organs If this happens, it'll be immediately obvious and medical intervention is required to prevent painful death. Special note to the 'floating' ribs at the bottom of a persons rib cage which don't connect to the sternum and are therefore much less resilient. Second special note to the spot right above a persons heart. A significantly hard impact at exactly the wrong moment in their cardiac cycle can stop their heart. They will loose consciousness and you will need to give them CPR until they can be defibrillated. This is ridiculously unlikely but better to mention just in case.

Abdomen. If you feel around your victim’s belly, you can figure out the line where their abdominal muscles sit. If you have them tense these muscles, you can hit them fairly hard with relatively little risk because the muscles plus the fat in that area create a thick layer of protection. (Pro tip: "Stay tense or this will might kill you" is not only true but hot and terrifying). Outside of that area or if they don't tense, there's real risk of bruising or even rupturing their intestines, which carries a 50-70% survival rate depending on how quickly you can get them to the ER. Symptoms to look out for are bloating, diarrhea, loss of appetite, and fatigue. Special note to the kidneys, which sit next to the backbone just below the rib cage and are very easily bruised. The primary symptom to look for is blood when peeing. As always, stingy tools carry less risk than thuddy tools.

Gluteus maximus. That's their butt. Hit it as hard as your victim will let you. Enough has been said about this region; I don't feel the need to recover that ground. Note 4 on bruises.

Genitals. I'm not going to get into CBT, that's a separate kink. But the vagina is very durable as it’s pretty much just flesh and fat on the outside Minimal risk, go to town.

Thigh. Top 4 impact location. Outer thigh will hurt more and bruise more. As with the head and arms, the primary risk is damaging the adjoining joints. Note 4 on bruises because this is the primary place for DVT.

Calf. As above. Shins are also a great location for punishment because they hurt like hell.

Feet. Very similar to hands. The soles of a person’s foot are intended to impact with the ground frequently and with some force, so they can take a fair bit of punishment.

Note 1. Ice. It is no longer suggested injury procedure to use ice to reduce swelling. Yes, it is effective at reducing swelling but we now understand swelling is an important part of the healing process and although ice might make it feel and look better in the short term, it actually increases the amount of time the injury will take to heal. You want the blood to be able to flow to the injury to take away dead cells and bring nutrients and energy.

Note 2. Joints. Neck, spine, shoulders, elbows, wrists, fingers, hips, knees, ankles, and toes. The reason these are almost always labeled "red" or "no go" on impact play body maps is because these are choke points for blood vessels and nerves; they are made of fragile tendons and cartilage, and they have very little padding for protection. They're also important for movement day to day and very difficult to heal properly. If a joint is damaged, you can buy braces for every joint from most pharmacies.

Note 3. Dislocations. If you're lucky, a partial dislocation will relocate by itself if you move the joint around as you normally would, not forcing it or trying to manipulate it with your hand, just moving it with its own muscles. If it does naturally relocate but you still have pain a few weeks later seek a medical professional. If you're unlucky or if it’s a total dislocation, you will have to see a medical professional. DO NOT TRY TO FORCE IT BACK INTO PLACE!

Note 4. Bruises. Normally, bruises are nothing to worry about but there are situations where a deep bruise can be a health concern. If the bruise continues to get worse after a week, there could be a hematoma under the skin, which is like a blood clot, and might need to be removed. The other possible complication is Deep Vein Thrombosis, which is a blood clot and can be lethal, if not treated quickly. With DVT, the symptoms are tenderness, warmth, and a "pulling sensation" which are pretty normal impact play symptoms. But if you're doing impact play at the level that could cause DVT, then you and your victim should know their healing process intimately, so if something feels off or isn't healing right, get them to a medical professional; better safe than dead.

[elitisim]

The beginning of September means the beginning of spooky season; and what's more spooky than a mystery box?

WHAT'S IN THE BOX?!:

Dunno¯\_(ツ)_/¯. Could be anything. Hairs, patterns, accessories, clothes, objects; anything’s up for grabs! It’s a mystery!

[DOWNLOAD HERE]

Or if you're boring and not fun, the credits, preview pictures, links to originals, polycounts and individual download links for everything is under the cut.

Hello cowards😒.

So, let's spoil the surprise for anyone for everyone who clearly hates fun, in today's mystery box you're getting 4 clothing items, 3 female hairs, 2 male hairs, a wallpaper set and an object set.

Mystery Item 1: BACKTRACK - LOW RISE JEAN SKIRT

All credits goes to @backtrack-cc! Original here

Bottom for For YA-A Females

Categories: Everyday, Formal, Career,

5.6k Poly

Fully Recolorable - 4 Channels

4 Fully Recolorable Swatches (Plain, Stars, skull hands and y2k)

Custom Thumbnail

Enabled for Maternity, Disabled for Random

[DOWNLOAD]

Mystery Item 2: GORILLAX3 - Oversized Cargo Jeans

NOT my original work! Mesh and Texture credit to @gorillax3! Original here

Bottom for For YA-A Females

Categories: Everyday, Formal, Career, Outerwear

6.6k Ploys

Fully Recolorable - 4 Channels

1 Fully Recolorable Swatch + 9 Non-Recolorables

Custom Thumbnail

Enabled for Maternity, Disabled for Random

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Mystery Item 3: Gorillax3 - Oversized Cargo Jeans w/ belt & Gorillax3 - Crop T-Shirt

GORILLAX3 - Oversized Cargo Jeans

NOT my original work! Mesh and Texture credit to @gorillax3! Original here

Bottom for For YA-A Males

Categories: Everyday, Formal, Career, Outerwear

6.2k Poly

Fully Recolorable - 4 Channels

1 Fully Recolorable Swatch+ 9 Semi-Recolorables

Custom Thumbnail

All LODS and Morphs Including Maternity, Disabled for Random

Not to be confused with Gorillax3's Loose Jeans, converted by @frostedshore [HERE], they're different they just have the same belt, lol.

I hit the image limit on this post, so no previews, but swatches are exactly the same as the female oversized cargos pictured above.

[DOWNLOAD]

GORILLAX3 - Cropped T-shirt

NOT my original work! Mesh and Texture credit to @gorillax3! Original here

Top for For YA-A Males

Categories: Everyday, Formal, Career, Outerwear

4.2k Poly

Fully Recolorable - 2-3 channels

12 Fully Recolorable Swatches

Custom Thumbnail

All LODS, All Morphs including Maternity, Disabled for Random

none of these are gorilla's OG swatches💔, sorry I made them for a specific sim with no real intent to share, but someone on discord asked about them when I posted pictures

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Mystery Item 5: SheaButtyr - Lamont Locs

NOT my original work! Mesh and Texture credit to @sheabuttyr! Original here!

Hair for Teen ➤ Elder Males

19.3k Poly

2048x texture

Texture: sheabuttyr

Custom Thumbnail, All LODS, disabled for random

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Mystery Item 6: EBONIXSIMS - OLADE LOCS

NOT my original work! Mesh and Texture credit to @ebonixsims! Original here!

Hair for Teen ➤ Elder Males

VERY HIGH POLY! 30.2K!

Found Under Hats

Fully Recolorable rubber bands - 4 channels

Due to how the mesh was made, it doesn't have tip controls; only root, base and highlights.

2048x texture

Texture: ebonixsims

Custom Thumbnail, All LODS, disabled for random

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Mystery Item 7: Simplicity - ALYSSA HAIR

NOT my original work! Mesh and Texture credit to @simpliciaty-cc! Original here!

Hair for Teen ➤ Elder Females

19.8k Poly

1024x texture

Texture: simplicity

Custom Thumbnail, All LODS, disabled for random

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Mystery Item 8: Simplicity -DIARA HAIR

NOT my original work! Mesh and Texture credit to @simpliciaty-cc! Original here!

Hair for Teen ➤ Elder Females

22.9k poly

1024x texture

Texture: Simplicity

Custom Thumbnail, All LODS, disabled for random

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Mystery Item 9: XXBLACKSIMS - CURLY BRAIDS

NOT my original work! Mesh and Texture credit to @xxblacksims! Original here!

Hair for Teen ➤ Elder Females

High Poly - 26.4k

1024x texture

Texture: xxblacksims

Custom Thumbnail, All LODS, disabled for random

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Mystery Item 9: @myshunosun's Bastvik Bedroom!

Low-poly meshes: all meshes are less than 1k most being under 500!

Beds sold separately: The beds are just frames, no mattress or bedding included

The beds in TS4 are much lower than ts3 beds, so I recommend a shiftable mattress

[ATS' Tiny House Duvets] and sketchbookpixel's [shiftable single] and [shiftable double mattress] are my personal favorites.

Toddler bed was made with @deniisu-sims [Base Game Toddler Mattresses] in mind.

Vanity disappears when the dresser functions of it are used, but it's fine otherwise.

Bastvik Double Bed Frame: 498 Polys| 2 channels | Found under Beds| §165 |

Bastvik Single Bed Frame: 498 Polys| 2 channels | Found under Beds| §165 |

Bastvik Toddler Bed Frame: 288 Polys| 2 channels | Found in Comfort under Beds| §165 |

Bastvik Dresser: 272 Polys | 2 channels | Found in Storage under Dressers | §198 |

Bastvik Nightstand: 136 Polys | 2 channels | Found in Surfaces under Endtables | §78 |

Bastvik Stool: 88 Polys | 2 channels | Found in Seating under Dining Chairs | §33 |

Bastvik Vanity : 611 Polys | 2 channels | Functional as Vanity |Found in Storage under Dressers| Disappears when used as Dresser but fine otherwise | §198 |

[DOWNLOAD]

Mystery Item 10: Dk-sims Mega Wall Set

NOT my original work! Texture credit to @dk-sims! Original Here!

5 walls all together

Priced at $3 each under paint category

Fully Recolorable - 2-4 Channels depending on the Wall

[DOWNLOAD]

Tagging: @pis3update, @naturalhair-sims3, @xto3conversionsfinds, @kpccfinds

[cy-cyborg]

What able bodied authors think I, an amputee and a wheelchair user, would want in a scifi setting:

Tech that can regenerate my old meat legs.

Robot legs that work just like meat legs and are functionally just meat legs but robot

Literally anything that would mean I don't have to use a wheelchair.

If I do need to use a wheelchair, make it fly or able to "walk me" upstairs

What I actually want:

Prosthetic covers that can change colour because I'm too indecisive to pick one colour/pattern for the next 5+ years.

A leg that I can turn off (seriously, my above knee prosthetic has no off switch... just... why?)

A leg that won't have to get refitted every time I gain or loose weight.

A wheelchair that I can teleport to me and legs I can teleport away when I'm too tired to keep walking. And vice versa.

In that same vein, legs I can teleport on instead of having to fiddle around with the sockets for half an hour.

Prosthetic feet that don't require me to wear shoes. F*ck shoes.

Actually accessible architecture, which means when I do want to use my wheelchair, it's not an issue.

Prosthetic legs with dragon-claw feet instead of boring human feet or just digigrade prosthetics that are just as functional as normal human-shaped ones.

A manual wheelchair with the option to lift my seat up like those scissor-lift things so I'm not eye-level with everyone's butt on public transport/so I can reach the top shelf by myself.

A prosthetic foot that lights up when it hits the ground like those children's shoes.

A few additions I remember seeing in the comments on my old account:

holographic prosthetic covers

transformers-style mobility aids that can fold into the shapes of different aids (e.g. a wheelchair that can fold into a cane)

prosthetic covers with pockets/hidden compartments (kind of surprised this isn't a thing already).

find my leg (like find my iphone, but for your legs when you haven't worn them in a while lol)

TLDR: Stop assuming every disabled person would want to be as close to "normal" as possible in your works. Some absolutely would and having options for them if fine, but I rarely see any examples of media showing those of us who don't. start letting amputees in your scifi works have fun with our prosthetics, fix the problems real amputees are already talking about instead of what you think are the issues and make your settings as a whole accessible!

[houseofhyde]

thinking abt aemond falling in love w blind!reader.

pairing. aemond x fem!reader warnings. no use of y/n, enemies to friends to lovers, ableism, so much fluff, a little bit of smut, angst (who said that). no mention of the reader's physical description. wrote in one sitting, no edit, we die like real men. wordcount. 3.1k (this was meant to be a short silly drabble) hyde's input. couldn't get this out my mind so, naturally, i'm making it your problem too now. enjoy, muah x disclaimer ! i'm not visually impaired but i do have several family members who are, to different degrees, and i've tried to stay true to what i remember them describing it like to me. the reader in this is completely blind, however, and that is something i do not have any experience in. please, if you feel anything about my portrayal is wrong or offensive, kindly let me know and i will happily fix it <3

the first time you meet is a few days after the events on driftmark.

with his new disability, the septa encourages alicent to change his usual lessons alongside his siblings for ones held with a couple of other impaired children of highborn status living in the keep.

aemond, of course, protests.

nearly kicking and screaming.

yells at his mother that he doesn't want to be thrown in a box with all the other "broken toys".

he ends up going anyway, dragged there by a handful of guards.

sulks throughout the whole first week, sitting alone in a corner.

and he would've continued to do that forever, if you didn't invade his space.

aka sit down next to him and offer him a book.

"go away," he says, the pout on his lips pointing lower to the ground.

"i don't want to," you refute.

"i won't tell you again, go. away."

"who are you to tell me anything?"

it leaves him speechless, because,

who is he? seriously?!

he thinks you have to be some sort of idiot to not recognise your prince

the following days go the same as the first

you sit near him and hold out a book

he tells you to go away

sometimes you listen

(not without first making it clear that you're moving because you want to, not because he told you to)

other days you don't

you just sit there next to him

staring blankly ahead

not even attempting to open the book that sits in your lap

one day, when he's feeling particularly short on patience

(he had his first sparring lesson with ser criston since losing his eye and it went awfully, each hit and stumble he took to the ground made worse by the echo of aegon's laughter ringing out throughout the whole courtyard)

he asks why you never read that book

"are you an idiot, or something? can't you read? is that why you're here?"

despite how smart he is for his age, he seems to not see the irony in him judging you for being part of an impaired group, as if he isn't also right there with you

such introspection would require acceptance of his loss first, and aemond just isn't ready for that.

"i can't read," you confirm

"because you're slow"

"no."

"then why?"

"i can't see the pages," it's the first time he notices that you're not looking at him. you're trying, face turned and eyes pointed in his direction, but you're staring past his shoulder, "i can't see anything."

he feels guilty,

wretched,

and the sickest twist of comfort.

because he understands

or at least he tells himself he does

because he can't see anything either - out of his missing socket, that is.

the other eye can see perfectly clearly how you don't even flinch as you speak about your disability

and that's when the jealousy takes over.

"then what good is it carrying around that stupid book?"

he says it because he wants to be mean.

so mean that you run away and leave him alone to sulk forever more.

but you just sit there, shrug your shoulders and shift the book around in your palm,

"i like to feel the weight of it in my hand. plus, you never know when you're going to need throw it at someone"

he bites his tongue before he can ask how you can hope to hit a target you can't even see.

the hostility remains

for months, years.

but you sit near him,

he stops telling you to go away,

you still offer the book out to him.

he learns your name.

not because he wants to

but because the septa calls it out one day in the classroom

and you're the one that answers to it.

the first time he sees you outside the study room, you're all alone, none of your father's guards around you,

and that's what really makes him stop in his tracks.

"what kind of lord leaves his daughter to wander blindly around the keep?" he almost says with his usual disgust,

until he notices that you don't have your book

and you're crying.

despite his own discomfort, aemond tells himself he has to comfort you.

because he's thirteen, almost a man.

and what kind of respectable man leaves a girl to cry all by herself?

he wipes your tears with the sleeves of his doublet, waits patiently until your breathing slows, then he speaks,

"what happened?"

"it's you," you say it softly, almost like you can't believe he's the one comforting you.

"it's me. now tell me what happened?"

"nothing," you tell him at first,

until he demands the full truth in the name of his father, king viserys targaryen.

"i overheard my mother speaking to my father about me. i didn't mean to! i just wanted to show them how i memorised the path from my chambers to theirs, without an escort. i wanted to prove that i can be useful, and good, and not a burden. i heard them through the crack in their door. she wants him to send me away to join the silent sisters. she says i can't see, so i may as well not speak either. but my father won't listen. he says i'm his daughter, and that he will not send me away. he loves me too much, i worry he'll hate me for it one day."

that familiar guilty feeling creeps in,

the one he's felt lingering on his skin since the day you told him of your visual impairment.

he's suddenly so aware of the fact he can see you,

and your tear-stained face,

and the shades of blue in your dress.

"where is your book?" he asks.

"i dropped it, whilst running through the halls. i just wanted to stop hearing them, i didn't want... i didn't mean to cause any mess, i'm sorry."

in an act that surprises even him, aemond takes your hand in his

and pulls you both to your feet.

he slowly leads you along familiar hallways, turning corners he's turned a million times.

"where are we going?"

"trust me."

you know he's taken you to the library the minute he opens the doors, a whiff of old books hitting your senses.

he guides you to a book shelf, puts your hand up to touch the exposed spines

and tells you to move forward.

"stop when you feel it's right."

you stop after four steps.

your fingers grazing over a book titled Matters Of The Heart: a Compilation of Fictitious Stories on Love and Beauty.

he pulls it out the shelf,

guides you both over to a bench,

open the dust covered book,

and reads to you.

the following day, when your father's guards guides you down next to aemond in the study room

and you hold your book out to him

he takes it,

shuffles a little closer to you,

and softly recites the words off their pages.

from that day forward, you become an infamous pair in the keep.

the one-eyed prince and the sightless girl,

never one without the other.

aemond becomes your shadow, always two steps ahead or behind you.

you pick out books in the library

and he reads them to you both.

he brings you down to the courtyard

and watches how you flinch each time the clack of wooden swords rings out.

it drives him to be better,

learn to see more in his opponents than even two eyes would allow,

just so he can watch how the smile stretches across your face each time he tells you he won.

you grow so close that one day, the king invites your family to join the royals for supper.

aemond tries not to care that you end up sitting so far away from him at the table.

at least he can look down it and spot you seated at your father's side, he tells himself.

when dinner ends and music starts to play,

aemond ceases the chance to sneak away from his seat and steal the empty one by your side, both your parents having stood to speak with the king.

he brushes two fingers along the back of your hand,

a private, tactile language only you two can speak,

one that tells you it's him, without him even having to say a word.

"prince aemond," you say, and he instantly hates hearing you address him so formally. "you look handsome this evening"

"and how would you know that?" there's no hint of the malice, the mockery he once used to speak to you with, back when he was angry little boy and you were a stubborn girl.

now he's a man of fifteen years and anger is far from something he feels next to you.

he watches you shrug and the smile that he likes best - cheeky, playful - slips onto your lips

"my mother won't stop bringing it up. dashing, she said."

"is that so?"

"mhmm. but she also says my father should offer me to your father and have us both wed, what with our cripple-like qualities making us unsuited for any other lord or lady, so, really, what does she know? for all i know, you're the most hideous thing to walk the keep and i should feel blessed that i can't see you."

"imagine how i feel. i still have to see you."

"oh, the horrors! well then, my all-mighty seeing knight-in-eye-patch, would you lend me your sight one moment and tell me."

"tell you what?"

"do i have anything in my teeth?" you bite back your laughter as you open your mouth and put your pearly-whites out on display for him.

he doesn't even care if the sight is unlady-like

or if anyone else at the table has noticed.

he's too busy laughing along with you and telling lies of how a massive piece of veg is stuck between your upper front teeth.

aegon is as aegon has alaways been,

a thorn in aemond's side,

and he makes no exceptions when it comes to you.

he can't help but laugh at you both

mouth stained with wine as he saunters up and leans his face down between you both.

"isn't it amazing how, between you both, there's only one eye that actually works?"

aemond bites his tongue, like he always does when it comes to his brother.

you, however, aren't quieted so easily.

"oh, so amazing! do you know what's even more amazing? how the stench of you always announces your arrival."

it's the first time aemond feels it.

that flutter in his chest.

and once it starts, it doesn't seem to want to stop,

he seeks you out most hours of the day

and thinks of you when he's not with you.

when he notices the bruises that litter your arms

from bumping into corners and walking into walls

he has a cane made for you, to help you more safely make your way through the keep.

it's the greatest gift he can give you: the freedom to walk your own path.

one day, as he's telling you about the recent flight he took upon vhagar, you ask him what the sky looks like.

"well, it's blue"

you blink at him, wait for the ball to drop.

"but you wouldn't know what that means"

he tries to think of something else, a different way to describe the vastness of the sky

"have you ever ridden upon a horse?"

you nod your head

"have you ever ridden fast upon a horse?"

you nod again.

"that feeling, when you're gripping at the reigns, and the horse's hooves beat against the ground like a drum, and the wind takes no mercy on your hair, and, for a moment, there's this... warmth of possibility, anticipation, right here" he guides your hand to rest atop your chest, on the side that your heart rests. "that you can leap and beat any obstacle in your way, and for a moment the world is open, and vast, and limitless. that is what the sky looks like, the perfect place to race upon horseback."

"except you're on a dragon."

"well, yes, but find me a horse that has wings and i promise to take you riding up in the sky one day."

you ask him to describe more things, more often.

the forest.

the iron throne.

the sea.

vhagar.

each book he reads you.

till one day you ask, "what do you look like?"

he tries his best.

he tells you about his signature targaryen hair,

and helps guide your hand up to touch it.

he tells you about his pointed nose,

and guides your pointer finer up to drag itself down the length of it.

he tells you about his jawline,

and lets you feel that part of him too.

"and your eye?" you ask.

he doesn't say anything

but he does peal off his eyepatch

and guide your hand up to run down the length of his scar.

"what does it look like?"

"gross."

"that's funny, because it just feels like skin. is all skin gross?"

"no but this skin... it's damaged."

"i feel something. it's hard," you murmur, as your nail traces over the curve of the gemstone that fills his socket.

"it's a sapphire."

"a sapphire?"

"yes. it's like a precious, shiny, smooth, blue rock."

"what about the other eye, the one that's still there?"

"what about it?"

"what does it look like? what colour is it? eyes have colours, don't they?"

"they do," he says, gazing into the hypnotising shade of your own, "it's blue."

"the sky, the sea, your eyes. i think blue might be my favourite colour."

he falls asleep that night with a smile on his face

his heart relieved that you never asked him to put into words what you look like,

because there simply aren't enough words known to man,

be it in the common tongue

or high valyrian,

to describe how beautiful you are.

he tells you as much, when you do eventually ask.

in the fallout of storm's end, soaked to the bone and regretful,

it's you who his legs carry him to

your chambers, to be exact

it doesn't even cross his mind to care that his knocking at your door awakens you

he doesn't care, loses all ability to do so when he collapses into your arms

"i made a mistake," he tells you, when you ask what's wrong

"that's okay, mistakes help us learn better."

not this one, he thinks

you're so gentle with him

and your skin is so warm against his cold

that he can't help himself

his lips find yours.

his hands find your hips.

his breath gets lost somewhere between you both.

but that's okay,

you're all the air he's ever needed.

he feels selfish, when he guides you over to your bed.

and he knows he should tell you what's happened,

what's changed.

he knows he shouldn't be touching you with hands that are stained by blood.

but he's desperate,

and he's breathless,

and he's so frighteningly in love with you.

"please, aemond," it's you who begs for more.

it's you who tugs on the leather of his jerkin.

it's you who pulls at the cotton of his shirt.

it's you who he gets undressed for.

you both wind up naked upon your sheets,

limb tangled with limb.

"i wish i could see you," you tell him. "but i don't need to see you to know you're beautiful, aemond. i feel it, in everything you do for me."

so he lets his own eye shut.

decides he doesn't need to see you either,

not like this, his skin tainted with the smell of the rain, and his dragon, and the velaryon boy's scream.

and the truth is, he wants to take you like this.

he wants to be cruel, and damn you to a life by his side.

but he looks at you,

naked beneath him,

lips swollen with his kisses,

the shine of your own arousal peaking out from that space between your thighs,

and all he sees is the girl he read stories to.

the girl who swooned and awed over every cheesy line about a knight,

and all his knightly honour,

loving his lady in the way that's deemed right by the gods and the lords.

and aemond just can't bring himself to defile your honour,

not like this.

so even as you whine,

and moan,

and offer up your maidenhead on a platter of your unapologetic beauty,

the prince just continues to edge at both your own pleasures,

hips grinding back and forth,

lips tangling with your own,

voice whispering nos, and we can't do thats, and not yets.

"tomorrow," he promises, the spill of his pre-seed smearing along your pelvis with each stuttered thrust of his hardened cock against your soft skin, "i'm going to ask your father for your hand."

"but, how?" you sound so pretty, he can't help himself and lets his eye reopen, searing the haunting image of you naked and pliant beneath him into his mind's eye.. "your mother... she said you flew to offer your hand to one of the baratheon girls."

"what i promised lord baratheon was a targaryen prince, and i intend to keep that promise," he speaks with so much conviction, skipping over the events of his nephew, and his dagger, and his joyride in the sky. "daeron is a boy of sixteen, he can have her. but i, i will belong to you."

the will to leave you, maidenhead still intact, somehow finds its way into his heart

he doesn't fail to leave you sated, however,

his finger dancing along the pretty pearl that has you whining his name and losing your mind upon the mattress.

he keeps his word,

wakes not with the urgent need to discuss last night's war-inciting events with his mother

but with the burning desire to find your father and win his approval

he doesn't find him in his quarter of the keep.

or in the training yard.

or in his seat at the small council.

what he does find is his fear stricken mother,

his stoic grandfather,

his giggling brother.

"aemond, what have you done?"

he doesn't answer

they already know what he done,

the whole realm likely knows, his half-sister too.

so he asks what he really cares about,

asks where your father is.

"he's gone," his mother answers.

"after he heard about your business with lucerys," aegon continues. "the traitor's taken his family to dragonstone and bent the knee to our bastard-bearing cunt of a sister."

so yeah that's what i'm thinking about.

anyway, goodnight <33

[annabelle--cane]

I guess the thing that makes me not so fond of Jon's addiction allegory is that it's only coherent to a certain extent? Like I think people sometimes forget that he's actively violating these people

anon, through no fault of your own you have accidentally hit upon my sleeper agent trigger phrase. I have layers of answers to this.

so first off, yeah, it's not a 1:1 direct metaphor, it's a soupy dream logic fantasy plot device with flavors of a lot of different things. there's quite a lot of addiction in there, there's some abuse of power, there's some cyclical nature of trauma, there's a dash of disability, there's a few notes of gendered violence, there's a good bit of just. violence violence and being kind of a motherfucker because goddammit it feels good to be an active agent about something in your life, even if it's just choosing to be a worse version of yourself than you strictly need to be. a lot of tma's worldbuilding is very allegorical, but apart from aspects of individual statements nothing really matches up quite 1:1 with a real world counterpart, and if more things did then it probably wouldn't be a fantasy show anymore.

secondly. okay to contextualize this answer a little bit I have a kind of hypothetical video essay project about vampirism and addiction that I like to spend a few hours thinking about every so often but am almost certainly never going to make because the full research burden required is a lot higher than I actually have the time to properly do. but because of that I've spent a lot of time sorting through why framing vampires as addicts really works for me in a way that it doesn't seem to for everyone, and I think a lot of my thoughts on that also apply to jon. there's going to be a bit of a detour here before we get back to talking about tma, but we'll get there, I prommy.

I've seen a lot of people take issue with various paranormal addiction allegories because, a lot of the time, the act that is meant to metaphorically represent the act of use itself is something that is directly and inherently harmful to others, e.g. drinking human blood, handing over power to your hedonistic Evil alter ego, holding the cursed amulet and going crazy going stupid, slurping trauma out of the head of some guy you ran into on a boat to norway, etc., and yeah, I do get that. substance use is not inherently harmful like that to anyone except sometimes the user themself, and addicts are not inherently fucked up and destructive people; those are dangerous stereotypes that often lead to the demonizing of a whole group of sick people.

here's the thing for me, though: those are definitely truths I want explored and represented when it comes to portrayals of non-allegorical actual addicts, but fantasy fiction isn't for showing the world as it is, it's for showing a subjective fun house mirror version of reality where certain aspects are minimized and magnified depending on how it feels to live through it. and yes, absolutely in real life drug use is not an inherently evil act and it does not make you an inherently evil person, but... doesn't it kind of feel like that? sort of? absolutely no one is living their best life nor on their best behavior while experiencing any kind of major mental illness episode, and when it comes to addiction you've got a very clear tangible symbol of when The Episode is happening that it feels like you have much more control over than when it comes to other illnesses. it's also a thing where people are a lot more likely to be openly angry and distrustful of you if they find out it's happening. so you mix together the ideas of "I know I get worse as a result of doing this one specific thing" + "I act less like myself when I'm using, it rearranges my priorities and I care less about hurting people because that's what happens when you're experiencing The Horrors" + "society at large/people directly around me are pretty quick to say that doing this is evil," and you get the subjective emotional result of "I hurt people by using and it makes me monstrous." I tend to respond to those kinds of paranormal allegories like they're just cutting out the middle man of those subjective fears. "using makes me monstrous" -> "using is monstrous."

anyway. jon archivist.

don't get me wrong, I totally understand if this aspect of metaphor doesn't gel for some people and they only like taking it exactly as far as the text explicitly makes them, but I really get a lot out of reading jon's connection to the fears as addiction precisely because he does genuinely awful things to people as a result of it. he's a person in a very bad physical and mental place with little to no support who is constantly being told by both allies and enemies that he's already a monster just by being alive, and he copes with that by secretly falling further and further into an compulsive act of consumption that skews his priorities and makes him care less about hurting people because at least sometimes getting to be the cause of pain makes him feel a little bit less powerless when he has to be the subject of pain the rest of the time. then he's found out and is made to stop, and he has to grapple not just with the physical toll of withdrawal but with knowing there is a not insignificant part of him that will excuse any act of malice if he knows he'll feel better afterwards.

the end of tma is very explicit in the fact that the rules of its world are shaped by the subjective worst fears of those who live in it, it's "an exercise in unreliably reality" as jonny sims put it once, and I think that principle extends backwards in some ways to apply to the rest of the show. I don't think the fact that there are only entities of fear and not hope or love is meant to be a full commentary on the total nature of the real world, it's a reflection of what fear and suffering can make the world feel like. eric and melanie both go to really harsh extremes to extricate themselves from the fears and live peaceful lives, and in both cases something happens that foils their plans (getting murdered + the apocalypse, respectively), but I don't think the intended message is to say that is definitively how real life works, they are metaphors for the limits of individual agency in larger systems and represent two types of worst-case-scenarios. similarly, I don't think reading jon as an addict implies that addiction inherently involves violence or that the reactions of those around him were completely unjustified, it's just a subjective exploration of the kinds of fears that can come with addiction dialed up to 100.

[notjustjavierpena]

Terror

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: By popular demand! This turned awful in my brain very quickly. I know instantly that this won’t be everyone’s cup of tea, so please read the tags before jumping into this. Not everything is fun and games for hubby. 

Summary: Javier doesn’t think that he has nightmares about Colombia anymore until he suddenly does. The difference is that he also has you and the family that you have given him.

Pairing: Javier Peña x f!reader (no y/n)

Tags: +18, graphic description of gun violence, some gore, PTSD night terrors, major character death (but not really), panic attacks, domestic, cuddles, hurt/comfort, family time, love confessions, pregnant reader dies in this dream

Word count: 2.6k

Link to this work on AO3: https://archiveofourown.org/works/54592621

Terror

Javier searches and searches to no avail. He walks with frantic determination between burning cars and bullet shells, occasionally hitting the latter with the tips of his shoes so they go cascading down the asphalt with a clinking sound. He doesn’t trip on them though, as his steps are sure, moving around the chaotic scene of the aftermath of an ambush by grabbing at whatever he can to push himself forward. 

He knows where he is but he doesn’t remember getting here, and he has no clue if he was involved in the shooting that has evidently occurred here. However, when he looks down at himself, he finds no bullet wounds and no tactical gear either. So why does he think that you are here? He yelps as he accidentally grabs the hood of a car that seems to have been burning for a while, the metal so hot that it scorches his skin. The heat radiating from the vehicle makes his body prickle with sweat, his shirt clinging uncomfortably to his skin that is riddled with damp sweat from anxiety. He clutches his burnt hand and continues down the never-ending street. 

Where are you? Where are they? He searches through several empty cars, nearly ripping the doors off of their hinges to get to you quicker. Perhaps you know where they are but he doesn’t even know where you are. 

When he gets to what feels like the hundredth car, finally reaching the end of the road that somehow resembles a labyrinth despite only moving forward, panic has started to rise in his throat. He calls for you but you don’t answer, and then he calls for Lucas in case he has managed to hide himself and his sibling somewhere. 

“Lucas! It’s alright, it’s just me!” He yells out but it’s just the echo of his own voice that answers him, “You can come out now, it’s over, te prome— (I promi—).”

Javier has turned the corner. It is the sight of Horatio Carrillo’s face that makes him realize that this isn’t real. Carrillo is dead, and he has been for nearly twenty years. Javier will never forgive himself for not having been there. He should have been there with everyone. It should have been him; he had had nothing waiting for him back in Laredo. 

In front of him, a row of children and teenagers are kneeling but he doesn’t recognize any of their faces. He has seen this scene before. He remembers doing nothing back then, and the thought is enough to make his gut twist with guilt and nausea even if nothing could have been done to change Carrillo’s attitude towards the kids. He hears a gunshot and a young child falls to the ground, head split open from the way the bullet has torn through soft, young flesh. He flinches in a way that he didn’t back then, in a way that only a man who is a father can. 

Carrillo’s blank and indifferent stare terrifies him to the point where he wishes that he could wake up. It is clear that this is a nightmare, so why hasn’t he woken up yet? Aren’t you supposed to wake up when you have figured it all out? He tries pinching his arm but nothing happens, and the claustrophobia of being stuck in his own head makes his chest constrict and his heart, too big for his rib cage by now, hammer with the speed of a hummingbird’s wings. 

The stare he is watching is not one of being rid of emotion but rather the look that washes over a face when the person it belongs to is dead. His old colleague is standing in front of him in a zombie-like state and Javier cannot shake the feeling that Carrillo looks less like a person and more like a thing. 

“Carrillo,” he says sternly. On the ground, the blood oozes towards his feet and he shifts to avoid it soaking through his shoes. 

His colleague turns to him but doesn’t say anything. He still has the weapon in his hand, arm stretched out, and pointing the gun at the row of innocent children. Javier speaks quietly despite his anxiety, “C’mon, they’re just kids. Look at them; they’re just ki—“

He turns to look at the kneeling figures but the faces aren’t unknown to him anymore. His blood runs cold at the sight of his eldest son who has his arms stretched out to hold Inés close to his body, effectively shielding her from any shot that may be coming at her at any moment. 

“Lucas,” he croaks, “¿Dónde está tu madre (Where is your mother)?”

“I don’t know, Dad,” his son replies, “I’m scared.” 

“I know, don’t worry, I— I’m gonna take care of it,” he replies with a dizzying heartbeat followed by the urge to throw up. 

It’s then that you appear too. His heart skips a beat as you materialize right behind your kids, pregnant with his child and vulnerable as tears stream down your cheeks. Your arms are in front of you, wrapped around your children as you try to protect them while whimpering in a way that makes Javier more than desperate. He tries to sound more assertive than anxious but listening to his own voice, he doesn’t feel very successful. He turns back to Carrillo who hasn’t moved the firearm even an inch, “For fuck’s sake, get that gun away from my family!”

“Están trabajando para Escobar, Peña. Si quieres justicia, entonces esta es la única manera (They are working for Escobar, Peña. If you want justice, this is the only way),” is the only reply he gets. Carrillo spits at the ground.

Javier takes a step forward but suddenly, a shot is fired at his feet and he is forced to jump back with his hands in the air. His eyes are pleading, his voice wavering, “Jesus Christ, Carrillo, they’re not working for him. Put the damn gun down! They’re mine. They are my kids. You’re pointing a gun at my wife!”

Lucas shifts on his spot on the ground. His knees can barely hold himself up anymore, gravel gnawing at his kneecaps but Javier holds out a hand to stop him, “Don’t move, mijo (my son). I know you’re scared but—“

But Lucas’ eyes are wet with terrified tears. He panics, throws himself to the side to crawl away and the ghost of Javier’s previous colleague seems to come to the conclusion that it is too risky to attempt a shot in the boy’s direction in case he misses, so instead—

Javier flinches at the loud sound of the gun going off. You lie on the ground in the next moment. He lets out a cry of anguish, crawling across the gravel road to get to you until his hands are scraped and his knees are dirty. The love of his life and his unborn child.  

“No,” he yells as tears spring from his eyes. He clutches at you whilst you breathe rapidly and try to hold onto him as well but your grip is slowly loosening on him with every beat of your heart. He can see the way your pulse slows in how your clothes soak slower and slower, knows where it is going. You try to say something but he cannot understand it, your voice having been replaced by gurgles of blood, “No don’t try to talk, baby. Shit, I— look, it’s not even that bad. Shh, it’s okay, baby. It’s not even that bad, it’s fine, you’re gonna be fine, mi vida (my life). You and the baby. I promise.” 

The same blank stare as the one that Carrillo sports washes over your face. He says your name over and over, “Mi amor (my love), no, no, look at me. No, no, no no no.”

Inés has started screaming in panic. She’s crying for you in the most heart-wrenching manner, terrified when you don’t react to her words like you always do. Her pitch climbs with each passing second but Javier has no strength to soothe his daughter because he yells your name until it feels like he cannot breathe. 

Lucas yells for his mother in the background. The agony of hearing his children cry mixed with hearing you say nothing is too much for him. He panics, shakes you violently— 

He jolts awake in the next moment to the sound of your voice. Fear still has him in its grip and leaves him disoriented, ready to fight whatever comes his way. He hyperventilates until he feels lightheaded and tries to figure out where he is, beads of cold sweat having collected on his forehead during his restless sleep.

“Javi,” you say with a hand on his shoulder and he whips his head around to face you. A moment ago, your eyes had been glazed over by death.

Immediately, he grabs your wrist in an iron grip. You place your other hand on top of his, speaking softly, “Javier. Let go.”

“Are you alright?” He chokes out and grips you harder, eyes wild in the dimly lit bedroom. He wants to run a million miles, “Are you alright?” 

“I am okay, baby. We’re both safe,” you reassure him with a hand on your pregnant belly. Tears start to roll down his cheeks. He is unable to shake the image of you lying dead on the ground, “Shh…”

“Are you sure?” He whimpers, eyes flickering from your face to your stomach and back to your face again. 

“Yes. It was just a bad dream. It was just a nightmare,” your voice is still ever so gentle and nowhere near the way it had been in his state of terror. He releases the clutch on your arm and you carefully run a hand over his forehead, “Breathe. Hold my hand. Tell me you love me.”

You offer your free hand to him and he carefully takes it, trying to convince himself that you won’t slip away from him in the dark bedroom. You squeeze his hand slightly. It’s a silly thing you came up with years ago. 

“I love you,” he says quietly, already feeling a little better but when you say it back ever so gently, he finds himself bursting into tears. He cries and it is the kind that comes from the very bottom of one’s lungs; frantic and breathy sobs that sound almost painful.

He thought that the nightmares had stopped. They had been bad when he first met you, and he connected it to his decreasing alcohol consumption because back in Colombia, he was sometimes too boozed up to even dream. However, meeting you - marrying you - had been a glimpse into a future where he could get better because you were together. So why does his brain still do this once in a while? 

“Pensé que te había perdido para siempre (I thought I had lost you forever),” he sobs when you engulf him in your arms. He rests his head against your soft chest, grabbing onto whatever he can of you to make sure you are real. It’s only times like these when his strong, broad hands feel unsure on your skin. 

“Oh, baby. I’m right here,” you rock him carefully in a way that a mother does, “I’m not going anywhere, te prometo (I promise you).” 

“No puedo vivir sin ti (I can’t live without you),” he continues. You reassure him that he won’t have to, that by then, someone will have discovered eternal life or made all of you into kind-hearted robots. Despite the chuckle he lets out, you also let him cry for as long as he needs to. 

It takes you a while to calm him down again, resting your chin on top of his head as he lets himself fall into you instead of going out of his mind. He mumbles, “Where are the kids? Where’s Inés?”

“They’re in bed,” you promise him, arms cradling him and rubbing his back until his breathing starts to slow again, “They’re okay. They’re just asleep.”

Except they are not asleep. Your hand stops moving on his back, and he looks up at you to find your eyes on the door. 

“Inés. Lucas. Stop standing at the door,” you say gently. 

“Sorry,” they say in unison.

Relief floods Javier’s system at the sound of his children’s voices. His chest expands as he breathes in deeply for what feels like the first time since he woke up. He watches their little faces, hears the click of the lamp on your nightstand as you turn on the light. 

“Is Daddy okay?” Inés asks carefully. Her eyes tell Javier that he has noticed the tears on her father’s face.

“We heard you yelling,” Lucas elaborates to his father, “Inés didn’t want to go in here alone. I’m sorry.”

“You don’t have to apologize, sweetie,” your voice is sweet and calm. It is in these moments that he loves you the most; when you prove to be the anchor in any storm, knows that the only times he might actually get a good night's rest is when you are right here beside him. 

“Come here, mis amores (my loves),” he scoots a little away from you to open his arms. His children look uncertain for a moment but then Inés rushes forward to climb into bed and into his embrace. Lucas follows a moment after, the both of them earning a kiss on top of their heads. 

Inés’ eyes are wide as she stares up at him, “Papá, you scared me.”

“I had a bad dream,” he explains to both of them and attempts to smile, pulling them closer to his chest. They make faces as they are squished but he doesn’t let go, “but I’m okay now. I’m sorry for waking you.”

“Then why are you crying?” Lucas gets out of the embrace to study his face, shocked to see the tears running down until they drip down from his chin. 

“Daddy! You are crying!” Inés parrots her older brother as she notices too. She kneels in front of her father and tilts her head. 

“I am?” He asks, pretending not to know. Inés’ tiny hand reaches to wipe a few tears away without much success and his heart clenches in his chest with how lucky he feels to have such a beautiful family. 

“It’s okay to cry,” Lucas explains softly, “That’s what Mom says.”

“Alright, let’s give your father some space,” you lock eyes with your husband, cup his cheek for a moment before brushing away the last traces of tears from his face with the back of your hand. He smiles at you and it is completely genuine for the first time. 

“I don’t want to sleep,” Inés protests loudly.

“What if you both sleep in here for the rest of the night?” You bargain whilst still smiling at Javier, however a little more goofily now, “Just for tonight.”

Lucas is already crawling under the covers to cuddle up next to you, and Inés lays down next to her father. It takes a moment of quiet chatter and soothing caresses to make them both fall asleep again, their bodies exhausted from being awake in the middle of the early hours of the morning. 

Javier can’t fall back asleep but from the way you breathe, he can tell that sleep hasn’t found you either.

Outside, the first light of dawn has begun to filter through the curtains. There’s a warmer glow in the room now, and he peeks at you from where he lies, looking like someone catching a glimpse of their crush. 

"I love you," he whispers, his voice barely audible. 

You turn your head to face him and smile tenderly, the morning glow illuminating you from behind. You are so beautiful, he thinks, beautiful and pregnant, and he is so lucky. 

Your voice is filled with genuine happiness, warm and loving. You look down at your sleeping children, place a hand on your bump, and then look back up at him, "We love you too.”

.

.

If you would like to follow my writing then go follow @notjustjavierpena-fics and turn on notifications 💖❤️

[secretsideblogshhhh]

Imagine you live in a kingdom. Everything in this kingdom was modeled after the founder of the whole city.

This means the house sizes, the utensils, the clothes, every single thing, was made for him.

And for plenty of people this is fine. The clothes fit them, the cabinets are easy enough to reach, the size of the tools are perfect.

But you're a fair bit smaller than this guy was. The clothes are extremely baggy on you. You struggle to keep them on. They get in your way and you trip over them all the time.

You can't reach the cabinets, the tools are hard to hold in your hands.

Everything you do takes so much effort because nothing here was made for you.

But everyone else gets annoyed by this, not because of the system made that makes life hard on you, but because you're different.

They hate you constantly tripping.

You mention maybe getting a belt to help with that, and everyone you know gets mad at you for even suggesting it.

"you don't really need a belt"

"you could just take some growth medicine, get bigger"

"you don't deserve special treatment just because you're different"

"well everything works just fine for me, I don't know why you have issues"

And it's frustrating. The only person who you can relate to is your buddy Tim, who's a whole lot bigger than the guy everything was made for was.

His clothes cut off his circulation, they actively hurt him.

He hits his head on doors, he can barely use the tools because they're so small to him.

He wants to make his own clothes, but he can't afford it because he can't keep a job.

No one wants to hire a guy who can't hold the tools, or who needs a break every few hours so he can take off his clothes in the bathroom to breathe.

And even if he did manage to get the money, the tools are too small. He'd have to hire someone.

And hiring someone would cost so much more.

Of course the responses he gets are similar to yours.

"you're just lazy, it's not that hard to get and keep a job"

"have you tried just losing weight? That's probably what's causing all your issues"

You and him bond over this. How the world is cruel to you for being different. You found each other because of you were different from everyone else and it brought you closer

But then people see your friendship. It would be natural to assume that your friendship makes sense. You have the same struggles after all.

But no.

People see that you're friends and say

"well obviously you're both making up your issues, it's so rare for even one of you to exist. But 2 of you? You have to be lying for attention"

You try to show them that your issues are real, because you want help. You'd love for others to understand and help you fix the way the kingdom is built.

But people look away, they ignore you. Either pretending to not see you or they just invalidate your experience.

"everyone has rough days"

"you just got some poorly made clothes"

"He just wants an excuse so he doesn't have to work"

"if you just tried harder-"

Everyone seems to have some solution for your issues, ones you've tried a hundred times before.

Everyone seems to have an opinion on your existence. Usually pity or disgust. Often a mix of both, though the disgust isn't something anyone will admit to aloud. Their actions speak loud enough though.

That's how it feels to have a disability. Especially an invisible one. You have to fight just to be heard and it's exhausting.

Everything that you do is a struggle people who aren't disabled just don't understand. And it's infuriating how they write you off just because they don't want to even try to understand

[licorice-and-rum]

SOC and Neoliberlism

So, as promised, here it is my analysis of Six of Crows and how neoliberalism is amazingly portrayed in Ketterdam, and how the city is an example of what happens in a community that is not provided for.

Before we begin, I wanted to say that English is not my first language, and, considering I read SOC in Brazilian Portuguese, I might translate some names literally or differently from the English version but I think it's manageable to read and understand my point. If not, I'll edit the text.

The first thing we have to understand is how neoliberalism works and the theory behind it, and then we'll talk about how it's portrayed in Ketterdam.

So neoliberalism is a theory born more or less at the end of the 20th century (70s-80s), and it finds its roots in laissez-faire capitalism, meaning that it's a political current that tries to suppress and/or eliminate the State's influence from the market. The neoliberalist view understands that the market can supply by itself the population's needs without help or limitations imposed by the State.

The thing here is that most people listen to this and think neoliberalism is about electronics, cars, and other stuff. The truth is, that neoliberalism aims to suppress the presence of State-run facilities in ALL corners of society, such as health care, housing, water access, electricity, etcetera.

So, we can use the American and Brazillian health systems to understand it better, for example:

In the US, the ones providing health care for the population are great corporations - they decide the price of care, they work together with pharmaceutical companies to define medicine prices, and the laws that bind them are pretty much only offer and demand. There is almost none State intervention to provide the population with accessible health care.

However, this brings problems, of course: not everyone (actually, most people) has real access to health care simply because they can't afford it, or they can't afford it without taking a big financial hit, which threatens their other basic needs, such as food, housing, water, electricity, etcetera. Not everyone can provide for their medical needs, such as diabetic and disabled people.

That leads to:

(a) an increase in poverty;

(b) a decrease in educational levels - if you don't have the means to pay for higher educational levels because of health care debt, or if you're sick and need to go to class and tough through it but you're not really learning anything, and so on, which leads to a major workforce in base level production and a minor class who has access to this education;

(c) an increase in overworking people - meaning that we have a lot of people taking on several jobs to be able to pay for things like health care, which increases the competitiveness between people, making individualism levels go up and breaking up human beings' natural sense of community.

I could also talk here about how this breeds isolation and increases the potential for mental health problems but I think you got what I was saying.

On the other hand, we have the Brazilian health care system (SUS), which is a universal gratuitous medical care service through the whole country. Its purpose is not profit, it's providing health care for the community, so therefore, any SUS unit is bound by State law and run by the State. By law, every SUS unit must provide for anyone who enters its premises in need of medical care. Everyone, Brazillian and foreigners, poor or rich, must be treated if they need to. It's the law.

Of course, that doesn't mean it's all rainbows and flowers, there are definitely many problems in SUS. However, what I'm trying to showcase here is that, when the needs of a population are met, the population itself is more resilient, their life quality goes up and so does their participation in their community.

On the other hand, in neoliberalism, when the State is absent from these areas of community service, the market is, in theory, the one providing for the community. In practice, however, what we observe from neoliberal policies in cities with a great poor population in Latam for example, is that when the State doesn't provide for the community, the market is unable to step up for them because of their obscene prices.

The poor population that doesn't have their needs met by the State or the market sees a great boom in criminal activities within their spaces. That's mainly why criminal organizations are so present in slums and favelas throughout Latin America: criminal organizations are a way for the community to provide for themselves and, as a means to become more powerful, they provide for the community in exchange for their services (not to say they do that for the good of their hearts, of course not).

It's why it's so common, for example, that criminal organizations such as PCC in Brazil pay for kids from favelas to undergo Law school, for example.

And that's is where I wanted to go to start the conversation in SOC: one of the main traits of Ketterdam is the Barrel and, in the Barrel, we have the presence of many criminal organizations, such as the Dregs, the Dime Lions, the Menagerie staff (not the girls, ofc), etcetera.

This, as observed by Kaz himself, is one of the only ways to survive on the Barrel - you filiate yourself to a gang because you need to be able to provide for yourself and, more times than others, for your family as well.

Kaz's story is actually a perfect example of how Ketterdam is the representation of America in the early 20th century in full policies of laissez-faire (neoliberalism): as we can see in Titanic and many other historical fictions, the said American Dream had people believing the US to be this economical paradise where they could all enter the market and become millionaires.

The result of it is the Great Depression, of course, but I'm getting ahead of myself here.

When Kaz and Jodi leave Lij for Ketterdam, Jodi believes he'll become a merchant - which is a pretty common belief of those who arrive at Ketterdam, as Pekka Rollins and Kaz himself state in Crooked Kingdom.

The reality of it, though, is much harsher, because the truth is that when you have a market that controls everything, as we see in Ketterdam with the Merchant's Guild (I think that's how it's translated?) and the Stadwatch as a police force, you see perfectly how neoliberal policies really work in real life:

You have a higher class who controls the market and the riches (question: who do you think got the money Shu Han sent to Ketterdam at the beginning of the first book: the people of the city/country or the merchants in the "government"?), and a lower class that, without support from the State or the market to have their needs met will turn to their own means to do so.

So you have the trafficking that brought Inej to the island, the unlimited gambling that Jesper was trapped in, the cons Jodi and Kaz fell for - it's all product of liberal policies.

And so, you have Ketterdam and its neoliberal policies (:

(I really love to make this kind of analysis, please, if you have something you want me to talk about, don't hesitate to ask)

[trash-bin-ary]

Okay im gonna reblog this again then actually go to sleep cause I feel it imperative that if cb does look at my account and see the stuff I posted tonight that he know that while him mentioning osdd and memory was the catalyst for it it is not a bad thing that he mentioned it. I need to work through this cause it has itched in my brain forever and it’s a good thing to work through it while knowing that you’re not alone in it

[enderblogs-25]

"Everyone's autistic now," "Why's there so much autism," "So many kids faking autism these days."

You know. I had been suspecting I was autistic since I started to understand what that meant, around middle school. I was working with two different autistic kids in a Girl Scout troop I led with my mom, and they did/said things that felt familiar. But I didn't dare bring up those thoughts, because my little cousin was autistic, that was his thing, and I didn't want to seem like I was looking for attention.

I started looking into autism for real when I hit my 20's, because those suspicions never went away... just buried. I had been focusing on other areas of my life anyway - my transition. But that was over, and I could see that things were still "off" about me. I love diving deep into different disabilities, disorders, and mental illnesses, but avoided autism because I was scared of what I'd find. I took maybe one test, masked up and guarded as hell, and because of that it said I wasn't autistic. I didn't answer truthfully, so I went looking elsewhere. ADHD, maybe. I ended up trying to get an ADHD diagnosis, and got misdiagnosed with a personality disorder that can be misdiagnosed in autistic adults. I felt I didn't have an option but to accept the diagnosis, because I was on my way to Chicago; out of time and out of money.

Nearly six months after the misdiagnosis, while I had been looking into the personality disorder and knew for certain I didn't meet the criteria for a diagnosis, (but masked through the appointments, which is how I got it) I had worked extensively on unmasking. I learned many neurodivergencies masked, and thought I'd give unmasking a shot, soon realizing I'd been doing it forever. Once I got better at unmasking, I eventually looked into autism again. What would it hurt to be told no twice? I took a couple quizzes again. Slowed down, answered honestly, and gave every answer my full attention. And I scored high on every one. It was terrifying. But it was also... a relief? While a few of those quizzes weren't too be taken seriously, I did take tests on official sites made by and for autistic people. When I came home from Chicago in summer 2022, I told my mom and showed her all my past scores on official tests like the RAADS, one of which I take annually. Part of me still has doubts that I'm not faking it, I guess.

All of this, at least past 2021, has occurred while people have been posting their own stores about discovering and getting diagnosed as adults. While I initially started looking into things on my own, hearing these people's stories on occasion really, really helped. Random strangers on the internet in a reel telling me they'd been overlooked because they were afab, did well in school, and didn't have many other adults around to see a difference... really helped. I could sneak into the autistic tags on Tumblr and look around at posts, relate to them silently, write down my findings in my little notebook, and go about my day. This "autism boom" as it were really helped, just because everyone suddenly showing off who they are, telling the world "I'm different and that's okay," really, really... helped. I know why I've always felt different and wrong, I know why I struggle with certain things, and I know why certain things will likely never be possible on my own. That's so much better than going thrift my life wondering and beating myself up because I can't function like everyone else.

Everyone isn't suddenly being diagnosed as autistic, now. People are just... starting to listen. Starting to get more comfortable. Obtaining more resources. And it's really nice. ❤️